To receive a presentation from Mr.
Barney Jeavons, Arts Centre Director, Ms. Jane Baker,
Director of Communication and Development, and Ms. Jenny Stevens, Area
Community Curator, on the working arrangements and activities at the West End
Centre and throughout the wider Hampshire Cultural Trust.
Minutes:
The Panel welcomed Mr. Barney Jeavons, Arts Centre Director at the West
End Centre, who had been invited to give a presentation on the working
arrangements and activities of the Centre and the wider Hampshire Cultural
Trust.
Mr. Jeavons introduced the presentation with an overview of the Cultural
Trust set up by Hampshire County Council and Winchester City Council in 2014.
The Trust supported 26 arts and museum attractions across the county and
delivered county wide outreach programmes that brought culture to local
communities. The Trust worked with young people and targeted audiences from
diverse backgrounds in all areas including visual arts, literature and local
history.
The Panel noted that the West End Centre had celebrated its 40th birthday
in September 2015 and still attracted many up and coming and established
musicians and comedians, showcased contemporary theatre groups similar to those
seen at the Edinburgh Fringe Festival and hosted monthly exhibitions of both
local and national artists and a special open exhibition at Christmas. The
Centre also ran a number of classes and workshops including stained glass,
drama, sewing, beginners Nepali and ukulele; through these classes and
workshops the Centre engaged with the community and became a hub for local
people. In addition, special events were
held such as the Summer Westival, a beer festival and Parent Action Group (PAG)
days. During the Westival large parts of the Centre were grassed, a beer tent
erected indoors and artificial fires set up to create ambience to complement
the live music, acts and activities which took place over the weekend. The PAG
days were standalone events open only to families with children with special
needs.
The West End Centre had a very strong culture ensuring that all
customers were friends and that everyone was treated equally. The Panel were
shown a number of testimonials from volunteers, artists and customers who
showed their appreciation for the welcome/help/opportunities given to them by
the staff and volunteers at the West End Centre. Mr. Jeavons stated that,
ingrained in the Centre’s ethos and its staff and volunteers was the need to
“want to help everyone that walked through the door”.
The Centre also had an outreach programme, working with community groups
in the local area. Crafty Culture was a group of white and Nepali women who
came together to create craft items and a local scout group had created a
willow war horse to commemorate World War 1. The Centre was always willing to
get involved with outreach projects and would find artists to fulfil the
requirement of any project.
The Panel noted that core funding had remained consistent over recent
years at around £150,000. Income and expenditure, however, were increasing,
partly due to the appointment of an Arts Development Officer. It was also
advised that a number of improvements had been made to the facility, which
included the resurfacing of the car park, new theatre chairs and the
redevelopment of storage rooms to creative studios. It was noted however, that
some more work needed to be done in relation to updating the ladies toilets,
bar furniture and lighting, the office area and storage facilities. The Centre
was also committed to increasing funding streams alongside the Trust and
planned to work on creating more sponsorship and commissioning opportunities
going forward.
In response to a query on budgets, it was advised that Rushmoor’s contribution had reduced from £20,000 to
£15,000 when the Trust had been established, due to the new charitable status
and no longer having to pay business rates. In respect of any works or
improvements to the facility carried out by Hampshire County Council, Mr.
Jeavons had found that contributing toward the cost had ensured quicker turn
around and, in some cases, higher standards of work.
In answer to a question regarding threats, Mr. Jeavons advised that the
staff and volunteers were what made the venue a success, when for example, a
good volunteer moved on the gap left could be hard to fill. The relationship
with the Princes Hall was positive and the two venues kept in regular contact.
The Panel discussed the ticket pricing and the contract arrangements
with artists. Mr. Jeavons advised that the Centre tried to keep the prices
affordable and ran some children’s events free to allow access for all. The
most expensive ticket recently had been for a musician at £26.00; this event
had sold out and comedy acts also tended to sell out. It was also reported that
the artist could receive up to 70% of the ticket income for an event.
The Chairman thanked Mr. Jeavons for
his presentation.